https://github.com/micjamking/synth-secrets

Screen-scraped articles on subtractive synthesis (using Node.js)
https://github.com/micjamking/synth-secrets

javascript nodejs sound-design sound-synthesis subtractive-synthesis

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Screen-scraped articles on subtractive synthesis (using Node.js)

• Host: GitHub
• URL: https://github.com/micjamking/synth-secrets
• Owner: micjamking
• Created: 2014-12-10T04:43:16.000Z (about 11 years ago)
• Default Branch: master
• Last Pushed: 2014-12-10T07:09:44.000Z (about 11 years ago)
• Last Synced: 2024-10-27T23:24:37.853Z (about 1 year ago)
• Topics: javascript, nodejs, sound-design, sound-synthesis, subtractive-synthesis
• Language: JavaScript
• Homepage: http://www.soundonsound.com/sos/allsynthsecrets.htm
• Size: 887 KB
• Stars: 290
• Watchers: 22
• Forks: 33
• Open Issues: 1
• Metadata Files:
  • Readme: README.md

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README

          
# Synth Secrets  

_Article series on subtractive synthesis from [Sound on Sound][0]_  

## Table of Contents  

  * [Synth Secrets, Part 1: What's In A Sound?][1]

  * [Synth Secrets, Part 2: The Physics Of Percussion][2]

  * [Synth Secrets, Part 3: Modifiers & Controllers][3]

  * [Synth Secrets, Part 4: Of Filters & Phase Relationships][4]

  * [Synth Secrets, Part 5: Further With Filters][5]

  * [Synth Secrets, Part 6: Of Responses & Resonance][6]

  * [Synth Secrets, Part 7: Envelopes, Gates & Triggers][7]

  * [Synth Secrets, Part 8: More About Envelopes][8]

  * [Synth Secrets, Part 9: An Introduction To VCAs][9]

  * [Synth Secrets, Part 10: Modulation][10]

  * [Synth Secrets, Part 11: Amplitude Modulation][11]

  * [Synth Secrets, Part 12: An Introduction To Frequency Modulation][12]

  * [Synth Secrets, Part 13: More On Frequency Modulation][13]

  * [Synth Secrets, Part 14: An Introduction To Additive Synthesis][14]

  * [Synth Secrets, Part 15: An Introduction To ESPS & Vocoders][15]

  * [Synth Secrets, Part 16: From Sample & Hold To Sample-rate Converters (1)][16]

  * [Synth Secrets, Part 17: From Sample & Hold To Sample-rate Converters (2)][17]

  * [Synth Secrets, Part 18: Priorities & Triggers][18]

  * [Synth Secrets, Part 19: Duophony][19]

  * [Synth Secrets, Part 20: Introducing Polyphony][20]

  * [Synth Secrets, Part 21: From Polyphony To Digital Synths][21]

  * [Synth Secrets, Part 22: From Springs, Plates & Buckets To Physical Modelling][22]

  * [Synth Secrets, Part 23: Formant Synthesis][23]

  * [Synth Secrets, Part 24: Synthesizing Wind Instruments][24]

  * [Synth Secrets, Part 25: Synthesizing Brass Instruments][25]

  * [Synth Secrets, Part 26: Brass Synthesis On A Minimoog][26]

  * [Synth Secrets, Part 27: Roland SH101/ARP Axxe Brass Synthesis][27]

  * [Synth Secrets, Part 28: Synthesizing Plucked Strings][28]

  * [Synth Secrets, Part 29: The Theoretical Acoustic Guitar Patch][29]

  * [Synth Secrets, Part 30: A Final Attempt To Synthesize Guitars][30]

  * [Synth Secrets, Part 31: Synthesizing Percussion][31]

  * [Synth Secrets, Part 32: Practical Percussion Synthesis][32]

  * [Synth Secrets, Part 33: Synthesizing Drums: The Bass Drum][33]

  * [Synth Secrets, Part 34: Practical Bass Drum Synthesis][34]

  * [Synth Secrets, Part 35: Synthesizing Drums: The Snare Drum][35]

  * [Synth Secrets, Part 36: Practical Snare Drum Synthesis][36]

  * [Synth Secrets, Part 37: Analysing Metallic Percussion][37]

  * [Synth Secrets, Part 38: Synthesizing Realistic Cymbals][38]

  * [Synth Secrets, Part 39: Practical Cymbal Synthesis][39]

  * [Synth Secrets, Part 40: Synthesizing Bells][40]

  * [Synth Secrets, Part 41: Synthesizing Cowbells & Claves][41]

  * [Synth Secrets, Part 42: Synthesizing Pianos][42]

  * [Synth Secrets, Part 43: Synthesizing Acoustic Pianos On The Roland JX10][43]

  * [Synth Secrets, Part 44: Synthesizing Acoustic Pianos On The Roland JX10][44]

  * [Synth Secrets, Part 45: Synthesizing Acoustic Pianos On The Roland JX10][45]

  * [Synth Secrets, Part 46: Synthesizing Strings: String Machines][46]

  * [Synth Secrets, Part 47: Synthesizing Strings • PWM & String Sounds][47]

  * [Synth Secrets, Part 48: Synthesizing Bowed Strings: the Violin family][48]

  * [Synth Secrets, Part 49: Synth Secrets: Practical Bowed-string Synthesis][49]

  * [Synth Secrets, Part 50: Practical Bowed-string Synthesis (continued)][50]

  * [Synth Secrets, Part 51: Articulation & Bowed-string Synthesis][51]

  * [Synth Secrets, Part 52: Synthesizing Pan Pipes][52]

  * [Synth Secrets, Part 53: Synthesizing Simple Flutes][53]

  * [Synth Secrets, Part 54: Practical Flute Synthesis][54]

  * [Synth Secrets, Part 55: Synthesizing Tonewheel Organs][55]

  * [Synth Secrets, Part 56: Synthesizing Tonewheel Organs: Part2][56]

  * [Synth Secrets, Part 57: Synthesizing Hammond Organ Effects: Part1][57]

  * [Synth Secrets, Part 58: Synthesizing The Rest Of The Hammond Organ: Part 2][58]

  * [Synth Secrets, Part 59: Synthesizing The Rest Of The Hammond Organ: Part 3][59]

  * [Synth Secrets, Part 60: From Analogue To Digital Effects][60]

  * [Synth Secrets, Part 61: Creative Synthesis With Delays][61]

  * [Synth Secrets, Part 62: More Creative Synthesis with Delays][62]

  * [Synth Secrets, Part 63: The Secret Of The Big Red Button][63]

[0]: http://www.soundonsound.com/sos/allsynthsecrets.htm

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